​I can’t tell you the amount of times I’ve gotten the question, ​“Why did you decide to write a book?” ​I smile every time I get asked. I’m grateful, though, that I can smile now because when I was writing my first book, there were so many tears. Whew!
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Writing, for me, has been cathartic. Coming from a place of hurt, it was exactly what I needed in order to begin the healing process. I needed to get things off of my chest without having to speak them. The words on the pages needed to speak on my behalf, at the time, and shift me from a place of emotional bondage, to a place of liberation deep in my soul.

​​​It’s pure peace and joy when I’m able to take what’s inside my head and put it on paper. ​Whether I write in my journal, type into my phone, or type into an electronic document, I write to bring myself to a place of wholeness - a place of feeling full and complete. I believe everyone should have that type of experience when they write.

​My transition from reader to writer began as a way to heal from past emotional scars that had reopened. ​After having gone through a failed in vitro-fertilization attempt, I was at a place where I had to confront a series of other painful experiences that had been weighing me down without ever realizing it. I was still emotionally and spiritually bleeding. I was hurt, embarrassed, and my hormones were all over the place from all of the treatments. I needed a place to bury all of the pain, so the Lord released me to write my story in a fictional way.
 
Now that I’ve written one book and contributed chapters in two other books, I spend my time coaching others to write the stories the world has been waiting for them to share. Also, as an independent publisher, I help them get their books into the marketplace.

​So, as a writer who is also a publisher, here’s my advice as you prepare to write your own fiction stories:

1. Identify why you want to write fiction 
   It’s not always easy to write fiction. Take it from me as well as my clients who are interested in writing fiction. It’s much easier to write nonfiction because it’s your true story - nothing added for effect.


2. Be sure to read great fiction before you try to write it 
   Reading great fiction helps you understand how to craft your own story.


3. Think about the message you want to convey 
   Yes, fictional stories have messages and themes, too. For example, the message of my first book was about seeking joy in the midst of your challenges.


4. Get the help of a writing coach if you don’t know the ins and outs of how to frame your story 
   Writing coaches can be lifesavers and time savers for you.


5. Write about something you know about 
   Even though with fiction you get to make things up, it makes it so much easier and cleaner when you write about things you know and/or have experienced yourself.

 
I hope this helps you along your journey to becoming a great fiction writer. When you’re ready to write and/or publish, let me know!
 

The second book of Dr. Nnedi Okorafor’s Binti series is a story of return and growth. Binti: Home takes places a year after the protagonist Binti experiences the death of all her classmates on their way to Oomza University. The first scene is in mathematics class, when she begins to feel intense emotions. At first she’s confused then realizes that it’s her connection to her Meduse friend, Okwu. Knowing that his rage will result in killing his professor, she rushes to his weapons’ presentation to deescalate the situation. Soon after, Binti decides to return home in order to go on pilgrimage in hopes to calibrate herself, ridding her of the conflicting emotions she’s felt for the past year. While at home, she quickly learns that not everyone is excited to see her and were angered by her leaving. Things go from bad to strange when a figure shows itself to Binti that typically only reveals itself to men. This prompts a group of people, her grandmother included, to arrive at her doorstep ready to whisk her away to destiny.

The author carries on the originality of the first book while delving deep into sensitive topics. The reader gets to see Binti’s growth while understanding her challenges. There’s an incredible amount of time spent on mental health. From instances of panic attacks to night terrors. Often times in science fiction when disasters occur, the protagonist is sad for a moment then goes on to save the day. The reader is able to see her strength through moments of pain.

There’s even a moment when Binti challenges her own preconceived notions.

During the first book, the reader is only given a glimpse of familial ties and man does she give the whole picture in this one. We get to see Binti’s siblings exactly how they are and how their bond has been shaken by her leaving and near death experience. There was a moment I was so angry and sad for the protagonist because the moment was so real and raw. Okorafor gives us such strong fiction, we can’t help but feel the human truths.

With one hundred sixty two pages to work with, the author uses simple, concise sentences for the majority of the book until she deems it absolutely necessary to expound. She slows the narrative down in the big moments to allow the reader to fully soak up what’s happening. 

The plot progresses quickly. There’s quite a bit of movement in this book, especially compared to the first which took place mostly in one location. This book goes from university, to ship, to home, to desert, to the priestess, back to Binti’s home. Entire days are covered in a few pages but never does the journey seem rushed; the element of urgency and  plot occurrences keeps the reader from feeling hurried.

This book is an ode to growing up, letting go and evolving. The first book was about leaving home and the second is about returning. A navigation of balancing who you were raised to be and becoming who you are and want to be. Coming home after being on your own is very hard (ask any college grad who’s had to move back in with their parents after graduation). This book was about how moving forward doesn’t mean forgetting the past but also not being afraid of becoming who you were meant to be, even if it makes people uncomfortable.

Binti: Home is the story of every golden child who has fallen from grace. It’s about family and culture. How following your dreams can feel like turning your back on a collectivist home. I found myself genuinely tearing up at some of the more pivotal moments. There’s a level of beauty in the rawness. The author doesn’t shy away from giving you a complete view of Binti in her strength and weakness. This book is an encouragement to anyone scared to branch out from their traditional family. When I finished, I couldn’t wait to get into the third book to see how this character’s story ends.

Binti, the first book of the Binti Series, by author Dr. Nnedi Okorafor is a refreshing breath to the science fiction community. Following the footsteps of Octavia Butler, Dr. Okorafor features a black woman as the centerpiece narrative. The world of Binti marries African culture with the future.
 
“My science fiction has different ancestors - African ones,” says author Dr. Okorafor in her November 2017 TED talk. She’s an American born daughter of Nigerian parents born on April 8th, 1974. She began writing while recuperating from a surgery to resolve scoliosis and has since published multiple books and stories which reflect West African heritage and American life.
 
This particular book is about a young woman named Binti leaving home for the first time to attend a university very far away and without her family’s blessing. The reader is immediately presented with the human struggle of establishing oneself outside of their family. At just ninety pages, this Afrofuturist, young adult novella packs a lot of punch with its marriage of African tradition and technology, linked through the theme of human truth.
 
Binti is an incredibly well-rounded character. Her motivation is obvious, and the protagonist begins as one thing then evolves into another while remaining clear and concise at every point of the narrative. She’s believable, her plight relatable. In a world of transporters, astrolabes, and alien species, there is a constant thread of humanity concerning class and race relations, self- discovery, and personal growth.
 
The plot moves swiftly, as a novella should, and stays on task through each page. Sentences are concise yet incredibly poetic. There are lines so well written, I found myself just putting down the book to process. Binti describes her people as: “We prefer to explore the universe by traveling inward, as opposed to outward. No Himba has ever gone to Oomza Uni. So me being the only one on the ship was not that surprising. However, just because something ins’t surprising doesn’t mean it’s easy to deal with.” Lines like this made me understand Binti, and her people, on a spiritual level.